This is my Doctor Who blog.   Leave a comment

So, hi.

Sometimes I just want to babble about Doctor Who and not torment my friends. Sometimes I’m not interested in other people’s opinions. Sometimes no one cares what I think. And so I created my own place to put that stuff, where no one else has to see it and I can say what I like.


I talk about what I see, when I see it, and I’m not waiting for you. If you don’t want to spoil anything, check the Categories for stuff you already know.

You have been warned.


Posted September 8, 2014 by Elisabeth in Piffle

The Daleks, at last   Leave a comment

Announce a new project: it’s a sure way not to have any time to put into the project. :-/

Almost a month has gone by since “An Unearthly Child.” Travel, overbooked weekends, nights at home that got hijacked for other events… with one thing and another, it still took two separate attempts to get through all 7 episodes of “The Daleks.” That’s not even a comment on the quality of the story; it really just takes a long time.

“The Daleks” was the second ever aired Doctor Who story. The concept was originally rejected by Sydney Newman, who famously opposed any “bug-eyed monsters” in his show. However, as it was the only script ready to shoot at the time, Newman was stuck with it.

In spite of Newman’s assessment, something about the strange pepper-pot aliens captured the national imagination. By the end of the story, the number of viewers per episode had topped 10 million, and Doctor Who was a television success. I like to imagine that the scene from “An Adventure in Space and Time” in which Verity Lambert witnesses children on a public bus shouting “Exterminate!” literally happened. Without the Daleks, Doctor Who as we know it today would probably never have existed.

The story opens exactly where the prior story ends: the TARDIS arrives on a new, unknown planet and the radiation dial quietly creeps into the red. Typically of early DW, each episode plays directly into the next, whether they’re part of the same story or not. In fact, “The Daleks” was not known by that name at the time: instead, each episode was provided its own title, its own mini-arc, and its own cliffhanger – even the last one, which sets up the following story.

Ian is unmistakably the hero of the show. He leads the action and looks after his fellow travelers. Barbara, a good character in most ways, gets heavily damseled in this story: hiking through swamps and under mountains in open-toed sandals, clinging to the hand of a male admirer throughout the “scary parts,” and then nearly getting him killed. Susan has a moment or two to shine, but mostly she’s an overplayed stereotype of a horror-movie girl. (I can relate to Carole Ann Ford’s disappointment.) The Doctor is self-centered and callous: he damages the TARDIS himself so the others are forced to let him visit the city that interests him; declines to help the pacifist Thals face their mortal enemy; and then, when he can’t abandon them, tries to force the Thals to help his party. Ian is the good guy of the group: he apologizes to Susan for disbelieving her, drops everything to rush to Barbara’s side when she cries out in fear, and refuses to manipulate the Thals to put themselves in danger for his party. He also has a thing or two to teach the Thals – and the Doctor – about courage.

Overall, the pacing of the story is typical for its time. Episode 1, titled “The Dead Planet,” is edge-of-your-seat intense, with a creepy stone forest, mysterious faraway city, and no sign of life – until someone lays a hand on Susan. The final two episodes, featuring the assault on the Dalek city, are similarly gripping. In between, we spend a lot of time running down corridors, attempting escapes, making terrible plans, having redundant arguments, and generally wandering back and forth over and over again. Not to mention being threatened with extermination!


Does not occur in this story.

A few highlights:

  • Chestright: The Ian/Barbara ship is well sailed in this story, in spite of the momentary infatuation of one Thal whose name I do not recall.
  • Susan and the Doctor also make a delightful pair on their own: the giggly pre-teen and her indulgent grandfather gleefully sabotage a city.
  • The settings are pretty good for the budget. The petrified forest looks amazing; the swamp is convincing; the “city” is more a collection of odd-shaped bits of junk and a string of endless corridors than a city, but it works well enough.
  • The Daleks are valid characters with valid motivation! You even feel sorry for them as the anti-radiation medicine that was supposed to help them live outside begins to kill them instead. (A Dalek screaming in pain is terrifying.)
  • The final cliffhanger: The Doctor runs around the console, banging switches and buttons from every angle, until it explodes – a familiar sight to any fan of 10.

In the end the Daleks lose, of course. The Thals’ hope of cooperation is shattered, but with the visitors’ help they defeat their enemy utterly. The Daleks’ fear of anything different from themselves is established, and it destroys them.

Of course the extermination of his incredibly successful creation did not prevent writer Terry Nation* from shopping them around. Within a year they returned to DW in “The Dalek Invasion of Earth,” and shortly afterward in an alternate version of the story featuring Peter Cushing as the human Dr. Who. Since then they have featured in at least 20 televised stories and remain the most popular DW villain of all time.

Not bad for a bunch of bug-eyed monsters.


*Rhyming is entirely unintentional on my part. Not sure about Mr. Nation.

Le Guin crossover the 2nd   Leave a comment

Some time ago I observed a commonality between Le Guin’s “Omelas” and “The Beast Below.” Now, having just finished “Tehanu,” #4 in Le Guin’s Earthsea series, I’ve got another one.

In “Tehanu,” the wizard Ged is a secondary character. He arrives in the story fresh from losing his magic – magic he’s possessed since childhood, magic that has defined him all his life – in a battle to save his world and all its people. Without it, he no longer knows who he is, or what purpose remains for him. Wizard was everything to him; now, he has nothing.

I was reminded of the Metacrisis Doctor, sent off to live with Rose in Pete’s World – particularly, in a series of stories I wrote when the official version ran out.

The Metacrisis Doctor is a secondary character. He appears in the story having been split off from his Time Lord self – a self he’s been for 900 years, a heritage that has defined him – in a battle to save the multiverse and all its people. Human, he no longer knows who he is, or what purpose remains for him. Time Lord was everything to him; now, he has nothing.

But the man’s idea of himself is limited. Ged learns, as the Doctor must, that he is more than his magic. He still has his heart: his passion for teaching and learning, his goodness, his love for his people. Though the Metacrisis Doctor’s story stopped when he was left behind on Pete’s World, fans know that he too must come to terms with his new reality. He must find that he is more than his TARDIS and his extra heart. He still has his brilliance, his curiosity, his drive. Like Ged, he laments his loss – but in the end discovers a whole new life he never imagined before.

Like Ged, the Doctor is brought back to himself by the grounded, sensible, passionate love of a woman, and the real world in which she needs him.

They stand together on the beach
their last link with the old world
the old life
fading into mist
into nothing
She stares, empty
at a loss
her heart torn
he takes her hand.

Who is this man?
this man, this living man
not a dream or a spirit or a fantasy
not the one you pined for, the one that could never be
but solid and real
and loving you.
She looks into his eyes, questing
is this who you are?
do you love me
and can I love you?
Can we leave behind that old life
create something new here together?
can it be done?
He pulls her close, clutching, desperate
gods I hope so.

What now? they ask
as hand in hand they leave the empty shore behind
the old life, the past but a memory
a fantasy
as unreal as if it had never happened.
A new existence breaks in through their daze
a world of taxis and trains
miles across the continent
Can this be right?
The years since she met him
since she lost him
a blur
She casts a glance
again and again
each time startled to find him there
beside her
distant and sad but there
Can this really be?
She leads him, gingerly
into her family home
the family and the home so different
from the one she knew for nearly twenty years
yet somehow right.
Now strange again
with this new man beside her
clinging to her hand.
Safe inside she turns to him.
Can this be real?
Can you be?
Is it true, the words you said
the words I so wanted to hear
as if wishing made them so
did you mean them?
were they real?
The truth afire in his eyes
the love he had so long denied
the passion, newly aroused
his blood ablaze as blood ne’er burned in him before.

Too much to adjust to
this sudden need for sleep
and food
and you.
A whole new world
a body so alien, so strange.
Slowly I learn
what it must be like
to be you
how hard it is
to feel so much
by this body
victim to all its whims.
Is this what it is
to be human?
a constant struggle
a fight for dominance
of my own self
letting go, a challenge
impossibly difficult
so much more than I ever imagined
so much more than I can take.
I watch you sleep
envy you your peacefulness
your ignorance of any other way
pining for my own lethe
begone, the memory of immortality
the constance of that extra heart.
But then you turn to me
with your deep brown eyes and smile
a world of sensation overcomes
drowns me
I am lost
the joy of your smile
the intoxication of your touch.
Is this what it is
to be human?
new heights of pleasure
to balance the pain
Is this how you endure
day by day, so gray
so brief and all alone
and then, all of a sudden
resplendent color
beyond description.
No wonder you loved that life so much!
No wonder you grieve
I grieve for you
your loss as well as mine
your brief and minute world exploded
and then shrunk again to nothing.
I think finally I may know
what that is
how it feels
color, and then blackness
vision, blindness
love and loss


Transition,, 2/16/2012

Posted May 9, 2018 by Elisabeth in Piffle

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Fans for Fans   1 comment

For those joining us from Paul’s newsletter – hello and welcome!

I’ve been stalking Paul Cornell via interwebs for some time. From his engaging blogs and intriguing podcasts, to his friendship with the inestimable Verities – he even commented here once, when I got confused about his comics. As a creator, he’s prolific and wide-ranging, from Wilderness Years novels and the invention of Benny Summerfield to a nerd-tastic superhero-themed episode of Elementary, comics about aliens in American politics, and novellas about the three witches of rural Britain – and that doesn’t even scratch the surface! His friendly online interactions and personable blogging tone make it easy to feel like I know the guy – one of the nicest, most accessible creators from the Doctor Who world.

Lately, as if to up the ante on niceness, Paul has chosen in his weekly newsletter to feature previously unpublished creators, to signal-boost other artists at the start of their careers – particularly those artists who don’t benefit from membership in the club of straight white male. Last week, in the first of these features, he introduced Heather Berberet, psychologist, mom, and keeper of Doctor Who on the Couch, a blog about our favorite Time Lord from a psychological perspective. (Her professional blog features Wonder Woman, always a good sign!) I’m glad to have found Heather and thankful to Paul for sharing her.

It gets better, though, because this week he featured me.

Paul’s newsletter for 4th May

(does that mean they don’t have Star Wars Day in Europe?)

The part with me in it is awesome, of course. But the feature about his own beginnings in the Doctor Who universe could prove even more valuable to my long-term success. It’s great to have the support of successful creators; it’s also great to see what it took them to get to where they are.

Thanks Paul! I look forward to your future newsletters!


ETA I can’t help sharing this photo from a prior newsletter:

I once described RTD’s interactions with fans as “lunatic, co-conspiratorial delight.” I think this image captures that.

And of course there’s the Moff working away in the background, grinning his little troll grin. (I say that with affection, I promise.)

The photo was taken just before a book signing at a London comic book shop by a whole host of creators, including the above, Paul Cornell, Jenny Colgan, and others. I would have loved to be there, in spite of the line. If only London were a little more convenient to the PNW… 🙂

Go check out Paul’s newsletter and all the geeky goodness contained within!!

Posted May 4, 2018 by Elisabeth in Cool Stuff, Squee!

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Martha’s Moments   Leave a comment

Scrolling through my old posts, I came across Top Ten Moments of Rose Tyler, and wondered if anyone had ever done something similar for Martha. The first Black woman to travel in the TARDIS has suffered all manner of under-appreciation: even her fans spend their time bemoaning her treatment by RTD or the Doctor, or complaining about Rose. It’s rare she’s valued for her own merits. But Martha is the most grown-up of the modern companions. As a medical student, she far exceeds her fellow travelers in education and book-smarts. As the parent-figure of her own family, she is the most responsible adult among them. Also, she’s a bad-ass who learns to take care of herself while taking care of everyone around her.

In fact, the Radio Times did a Top Ten for Martha much as they did for Rose. However, as I disagree with almost every one of their choices, here instead is my own selection of Martha’s best moments – to the best of my recollection, as I haven’t watched her series in a while. In order of appearance:

#1. We Might Not Die


Finding herself on the Moon, Martha doesn’t worry about running out of air. Instead, she appreciates the wonder of the moment – in spite of the risks.


#2. Expelliarmus!


Put on the spot, Martha provides the magic necessary to seal Shakespeare’s witches away forever. Incidentally, this is not the only reference to her literary choices: in Eleven Doctors, Eleven Stories, Martha acknowledges the breadth of her reading – up to and including Twilight.


#3. In Heels, No Less!

If I could do screen caps, I’d have a better picture for you. In “The Lazarus Experiment,” wearing THAT DRESS and THOSE SHOES, Martha Jones jumps over a table to shut down a machine to free partygoers trapped in a burning building. This is the kind of woman we’re dealing with: quick-thinking, fast-acting, and steady on her pins.


#4. Would You Like Some Tea?

Another example of Martha’s quick thinking is this conversation from “Human Nature” by Paul Cornell:

MARTHA: Would you like some tea?
JENNY: Yes, thanks.
MARTHA: I could put a nice bit of gravy in the pot. And some mutton. Or sardines and jam. How about that?
JENNY: I like the sound of that.
MARTHA: Right. Hold on a tick.

The Doctor has forgotten her. Aliens are invading. Her one friend in this world is acting a bit odd – and Martha doesn’t miss a trick.


#5. So, So Sorry

Again, if I could do screencaps, you’d have the moment I mean.

From Professor Yana’s lab, Martha overhears a conversation between the Doctor and Jack, two old friends separated by metal and death, and united by a woman:

DOCTOR She’s gone, Jack. She’s not just living on a parallel world, she’s trapped there. The walls have closed.
JACK: I’m sorry.

In this moment, Martha gets the truth about the Doctor and Rose, and the depth of his grief. In this moment she finds her compassion.


#6. I’ll Do What I Like

Back on Earth, Prime Minister Saxon has just blown up her home. Her family is in danger. The Doctor tries telling her what to do.

It doesn’t go well.


#7. I’ll See You Again, Mister

Her family needs her. Her planet needs her. Her time with the Doctor was fun, but it’s time to be the doctor herself.

She leaves him by choice, and in friendship, and she leaves him with orders:

“If that rings, when that rings, you’d better come running. Got it?”

Good thing too, because…


#8. I Thought We Needed An Expert

Martha has finished her medical degree and gone to work for UNIT, the one employer she can find who knows about aliens. Now they’re in over their heads – and like Mickey at Deffry Vale, Martha knows just who to call.


#9. I’ve Got You


She didn’t want to go to Messaline, and now she’s separated from her friends and her ride home. But instead of an armed alien, she sees someone who needs her help – and she won’t be stopped from helping.


#10. Dat Hair


Martha Jones can save the world, snag a man, and rock her hair game. Yas queen.

Posted April 11, 2018 by Elisabeth in Companions

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Doctor Who: The Beginning   1 comment

The Beginning is a DVD collection of the Doctor’s very first adventures: “An Unearthly Child,” “The Daleks,” and “The Edge of Destruction,” as well as a condensed version of “Marco Polo” with telesnaps. An earlier version of the collection included a series of comedy sketches (“The Pitch of Fear”) about the show’s origins; I was disappointed to find them missing from my version, but I still have them on the DVD of An Adventure in Space and Time (and of course YouTube). The new version – part of the reason I wanted it – includes an interview with the elusive Delia Darbyshire. (ETA “The Pitch of Fear” is still included, just not listed among the special features.)

“An Unearthly Child” was the very first DW story to air, beginning November 23rd, 1963.  The first episode went nearly unseen: the American president had been assassinated the day before, and viewers tuned almost exclusively to news channels. Doctor Who might have died a quick death that very night. Instead, it was given a second chance: episode 1 was re-aired in advance of episode 2 the following Saturday.

Nor was this its first second chance. Finding Hartnell’s portrayal of the Doctor not likable enough, Sidney Newman ordered – and funded – extensive re-shoots for episode 1. The original version is included on the DVD.

I first watched “An Unearthly Child” several years ago – possibly as many as 7 – when I had just begun exploring the classic series. For a modern viewer it presents some challenges, particularly in pacing. I recall this story as an endless back and forth parade of good cavemen and evil cavemen, with captures and escapes and recaptures ad nauseum. Much like the rest of the series, but somehow more so. I recall wondering how anyone got through it that first time.

(The answer probably has to do with expectations of television at the time, not to mention only getting one episode a week instead of all of them in a bunch. Much like the rest of the series.)

Tonight I will discover whether anything has changed since then.

I’ve recorded my thoughts below. The tl;dr is this: The story drags, but not as much as I recalled. The spooky visuals and unusual ideas are engaging right off the bat. The characters and the long-term mystery of the series are set up early and very effectively, and the ending leaves the viewer ready for more. Ian and Barbara drive the show; without them, there is nothing.

Also, I SHIP IT.

Episode 1:

  • So much has been said about that eerie opening visual, and of course the music. I often wonder what people must have thought at the time.
  • I didn’t remember getting a look at the TARDIS in the first shot. It’s spooky!
  • How could anyone NOT ship Ian and Barbara right off the bat?? ❤
  • John Smith ref straight off too!
  • The episode does an excellent job of setting up the characters and the long-term mystery of the series. Ian is brave and cheerful; Barbara thoughtful, empathetic, perceptive; Susan brilliant and odd. Susan’s teachers stand up for her fiercely.
  • “A student who’s brilliant at some things and absolutely excruciating at others” – I think that describes more and more people these days.
  • The Doctor is almost strangely forthcoming under the circumstances. Maybe he’s been longing for someone to talk to.
  • Star Trek-style movement effects FTW – and that TARDIS noise is instantly magical.

What must people have thought of these strange images and stranger ideas? I for one am thoroughly engaged.

Now, imagine a week has passed, and it’s time for episode 2:

  • Historicals were part of the original concept for Doctor Who. It’s hard to imagine this as educational; what real knowledge are they working from?
  • Barbara has fire! I love her. Ian’s skepticism is charming.
  • “Perhaps if we knew his name we’d have a clue to all this.” Why do people continue to think this? How on earth could it possibly help? 😉
  • Upset Susan is unbearable. Her voice is screechy and her behavior over the top, even for a frightened teenager. Somehow I doubt the actress is the problem.
  • I am not engaged in the Stone Age people or their problems. Were they really new and strange enough to interest people at the time?
  • Companions come to the Doctor’s rescue for the very first time. Of course it doesn’t last.
  • Susan’s screaming really is unbearable.
  • 2 significant speaking roles for women among the ancient people, one young and one old. As good or better than we often get now.

And now for episode 3!

  • The younger woman is a conniving one. The story is more engaging than I recall.
  • Lots of good quotes in this story. “Fear has made companions of us all” this episode; in episode 1, “wanderers in the fourth dimension,” and in episode 2, “wheeling in a different sky.” All oft quoted and familiar.
  • I’m reminded of a moment from the Clan of the Cave Bear series: A wife is a status symbol to a man; if he loses his status, he loses his wife. If she loves him, she fights for his status as much as he does. This chieftain’s wife must love him.
  • Poor frightened Barbara. I just want to hug her.
  • I can see why Carole Ann Ford was disappointed. Her character should have been much braver and less lost. Barbara’s reactions are much more accurate to who she’s supposed to be. Her fear, even to the point of losing it, is believable, where Susan’s panic seems overblown. Then Barbara turns on a dime to help their injured pursuer, and it’s still believable.
  • The Doctor, however, is a bit of a harsh bastard. Does he really intend murder?
  • I don’t understand why the old woman is afraid of fire.
  • There are two women, but they don’t have names, and now one is dead.
  • Captured, round 2…

And on to the final episode!

  • The Doctor pulling his magician act is delightful.
  • The firelit fight scene is hilarious in its ridiculousness – and the cave has suddenly gotten much bigger!
  • Susan invents Ghost Rider! 😀
  • The whole tribe does have lots of women – much better than some more recent Viking stories…
  • The TARDIS escapes, leaving quite an impression on those left behind.
  • The Doctor can’t get Ian and Barbara home, but he can give them a chance to get cleaned up. (Does the TARDIS wardrobe appear so early?)
  • The episode ends on a delightful piece of foreshadowing involving radiation.

Overall the story is not great; the cave people storyline is tough to stomach in places, as is the Doctor’s repeated use of “savages” to describe them and others. However, it’s strong enough to pull a viewer through, and leaves me ready for the next one.

Next time: “The Daleks!”


Time Ladies!   Leave a comment

I may have a new favorite blog: The Time Ladies

Not only do they have an excellent interview with DWM’s Emily Cook, with a “behind the scenes” series promised to follow, and of course a whole host of other lady-focused DW goodness, but they had a thing I didn’t know! A thing I was so excited to learn!

Black Panther‘s delightful Shuri was once on Doctor Who!


Ok, maybe not that exciting for anyone but me. Still, I felt I knew her when I saw her, but my (obviously too cursory) review of imdb did not turn anything up. I feel vindicated – not to mention thrilled that such a favorite was once a part of my show! ❤

As far as the Time Ladies go, the writing is quite good* and the topics interesting and varied. I expect to lose lots of time down that rabbit hole.


*ETA in spite of some flagrant apostrophe abuse…

Posted March 29, 2018 by Elisabeth in Cool Stuff, Guest stars

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DW: The Long Way Round   Leave a comment

It seems like forever till S10 and Doctor 13.

How to make that time fly? Cram in as much classic DW as possible. Yes, my next rewatch will begin with The Beginning, 1963’s “Unearthly Child.” I have DVDs and Britbox, and even some Loose Cannon to fill in the gaps. I have at least a night or two a week all on my own.

Anything could happen. And when it does, you’ll read about it here.

Posted March 27, 2018 by Elisabeth in Classic, The Long Way Round

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