I’ve always wondered about Idris. Before she became the vessel through which the TARDIS speaks, who was she? How did she end up on House? Was she a collection of mismatched limbs like Aunt and Uncle? Or a whole being, transported, like Nephew? How did she alone retain her name?
Of course she was bait: the fragile frame in which to trap a timeship’s soul. But how did House come by her? What life was left behind? Who loved her, mourned her, missed her? Who searched for her? What place did she fill on that unknown world, before she was stolen from her life, and her life stolen from her?
THE DOCTOR ambles among the stalls, hands in his pockets, taking in the sights and sounds and smells. Ahead of him, a slim, dark-haired woman moves quickly from merchant to merchant, her back to him as she haggles for her flowers and her fruits. He pays her little mind – until abruptly she turns, and they find themselves face to face.
THE DOCTOR: You!
IDRIS: I’m sorry. Do I know you?
THE DOCTOR is speechless
CUT TO: MAIN TITLES
“THE DOCTOR’S GHOST”
Are you afraid?
I recently stumbled across a show from a few years ago featuring not one but two of DW’s fabulous lady guest stars: Suranne Jones (Idris, “The Doctor’s Wife”) and Lesley Sharpe (Sky Silvestry, “Midnight”). The two co-star as police detectives in ITV’s Scott and Bailey: Jones as erratic but brilliant DC Rachel Bailey, nicknamed Sherlock, and Sharpe as her steady family-woman partner and best friend, DC Janet Scott. Just watching them together is treat enough, but the show as a whole fills a role rarely seen on television: police procedural drama led entirely by women, in front of and behind the camera.
The two main characters are women. Their boss is a woman. Most of the writers and directors are women. Minor characters – cops, victims, perpetrators – may be men or women. But the major male characters are love interests, exes, and comic relief. It’s a big switch for the genre, and a welcome one. The scripts are strong, the acting flawless. This isn’t a bone thrown to women: it’s the real thing, done really well. It’s a model for what half of all television should be.
Recommended for fans of police drama, as well as fans of these two spectacular actresses.
I was going to post a bunch of links related to the new trailer, but as it turns out, I only have to post one: Doctor Who’s Day Trailer Roundup
Missy’s reaction and of course The Fan Show were key for me. Michelle Gomez is a delight in everything she does, and Christel’s squee level nicely matches my own. But plenty of other stuff at the link looks fun too. And then there’s ANOTHER Fan Show waiting which I haven’t even seen yet: Fanimation
We are rapidly running out of weekends on which to screen “Survival” before the premiere. After such a long wait it’s hard to believe that it’s almost here. Knowing it’s Capaldi’s last makes it bittersweet, but my excitement remains undimmed – as does my intent to watch Rona Monroe’s classic before her triumphant return.
The latest piece of DW news is full of win.
The Return Of…
On the surface it’s all about the baddies. Capaldi has not been shy about his hopes for an encounter with the original Cybermen of Mondas. They of the spooky cloth faces introduced their race in the First Doctor’s final episode, and were never seen again. Until now…
But the buried lead is even more fun. A while ago I observed the empty space where a director’s name ought to go on the final two episodes of the season. Given how the last two seasons ended, I was hoping for another round of Rachel Talalay. And indeed, my hopes are answered.
Last but not least is the inclusion of one final name in the major cast: Michelle Gomez. Of course I’d already heard that she’d be back – but to have her for the final two-parter – very nearly the final of this Doctor’s career – is extra bonus fun.
More here, in the Who’s Day roundup.
At the end of last month, a new trailer appeared:
Since her introduction Bill has reminded me of Rose, and never more so than in this trailer. The look on her face as she speaks of danger is the same one Rose wears in her first episode, as the Nestene’s hiding place comes crashing down around her. That love of risk. That sensation of aliveness at the edge of death. That youthful invulnerability.
This season is going to be a lot of fun.