It’s been several weeks since we gathered for “Father’s Day” and “Enemy of the World,” but here I am at last.
“Father’s Day” remains a favorite. Rose learns that her father is not who she thought he was; that her mother lied; that her parents are only human. That her parents are wonderful, fallible people who love her and each other. She faces the brutal consequences of a thoughtless act of love. The Doctor’s rage, while genuine, is only momentary; he is a man who makes mistakes, who thoughtlessly loves again and again in his life. He does everything he can to save Rose’s father for her – an ordinary man, the most important thing in the universe – and though he fails, his efforts bring them closer together.
Pete himself is outstanding. He is a failure, and he knows it. His marriage is on the brink. But he quickly figures out that he is the key to everything, and selflessly gives his life for the women he loves so dearly. His speech to Rose about all the extra hours he got is one of the most moving moments ever on television.
After that emotional wringer, “The Enemy of the World” is great fun. One of the two lost stories found recently in Nigeria, this six-parter features Patrick Troughton as both hero and villain. It’s silly in places – there’s a line about a disused yeti – and deadly serious in others, and though it’s among the longer serials it never lags. Troughton is a delight, well deserving of this showcase for his substantial talent. I’m reminded of Orphan Black, where one actress plays several characters who also play each other; the characters remain distinct, even when hiding in another’s skin.
Up next we’ll pass on a classic story in favor of two-parter “The Empty Child” and “The Doctor Dances.” As Captain Jack just got his own Torchwood series on Big Finish, it’ll be great fun to see his origin again. Mostly, though, I’m looking forward to Nancy.